Monday, September 28, 2015

The Importance of Narrative in Rhetoric

 It was not until I read three fourths of Watt's essay that I found something worthy of comment, but after I read the entire text I realized just how important the essay is as a whole. One thing that really stood out to me was the mention of Aristotle's opinion on narrative in rhetorical work. In the past I have always believed that a story is not necessary in a rhetorical piece. "Aristotle's elevation of reason over narration..."(208) made sense to me up until now. To be honest I really had not considered the contrast between a narrative piece of rhetoric or a non-narrative piece until reading this essay. Of course it makes sense that I would have a predisposed view that agrees with Aristotle, for I have always been taught in the Aristotelian ways of rhetoric and therefore my past agrees with him. Now that I have read through Watt's essay I better understand that while Aristotle's point on the narrative is valid, there are also various points which work to prove that a story line is almost mandatory in some methods of persuasion. Every rhetorical piece aims to persuade it's audience, yet each piece has a different way of doing so. In this essay, Watt's ability to exemplify the theory of story-list-sanction causes the reader (me) to establish different views on how a rhetorical piece can be constructed. While my thoughts were scattered throughout the reading and I had a hard time developing a position to take, I realized one crucial point. While this may seem obvious now, it was not so obvious before this semester began; the point being that we must put aside our ideas of rhetoric and explore outside of Aristotelian forms. The world outside of Aristotelian rhetoric is deep and complex and offers many different discourse regimes that we, as American students, may have never realized in the past. The goal of rhetoric as told by Watts is to, "influence it's audiences ideas and behaviors." While this goal is widely accepted the methods that exist to obtain this goal are varied and wide spread. It is our job, as students of rhetoric to understand that the deeper we dive into various methods, the more complex our history of rhetoric will become. Yet hopefully in complicating our understanding of traditional rhetoric we are able to construct a definition of rhetoric that is all our own. Whether it involves mass amounts of narrative in order to become popular or is purposefully academic, we are able to discover within ourselves the ability to construct and understand the types of rhetoric and discursive regimes that will eventually mold who we are as rhetoricians in the future.

2 comments:

  1. I also felt a tad scattered when first reading this text, I had to really sit and think about it, then go back and read again. I think that the point you make about story being rather vital so certain sorts of rhetoric is a very valid one. Think about the things that really make an impression on us as readers/listeners - for me personally a cracking good story or narrative always leaves an impression and can be very convincing. It brings the rhetoric 'to life' in a way and is a powerful tool of persuasion.

    Do you think a rhetorician is more successful if they utilize narrative story in their rhetoric than if they don't?

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  2. Demi, while reading Watt's text it was also the first time that I was introduced to the idea that in Aristotelian Rhetoric narrative is not considered to be at the same level as reason. Personally, I find narratives in rhetoric engaging as a reader and my level of pathos can be affected by how the narrative relates to me. Therefore, I appreciate Watt's argument of story-list-sanction. His label has solidified in my mind the elements that I typically see, especially in speeches and sermons, and now I have a term for it! As I am currently studying English Education I am seeing the shift in standards away from narrative and more toward explanatory and informational writing, which I think is interesting to reflect on. I think that Aristotelian Rhetoric has had a large impact on the Western world we live in and this is becoming even more apparent in education as we move away from narrative writing.

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